The Experience Recorder and ReproducerThe experience recorder and reproducer (ERR) is an information model for the mind. The ERR is simpler than, but superior to, the computational models of the mind popular in today's neuroscience and cognitive science, the "software in the brain hardware." Although we see mind as immaterial information, we think that man is not a machine and the mind is not a computer. The ERR may give us deep insight into problem of "meaning" as well as the "hard problem" of consciousness. Our ERR mind model grows out of the biological question of what sort of "mind" would provide the greatest survival value for the lowest (or the first) organisms that evolved mind-like capabilities. We propose that a minimal primitive mind would need only to "play back" past experiences that resemble any part of current experience. Remembering past experiences has obvious relevance (survival value) for an organism. But beyond survival value, the ERR touches on the philosophical problem of "meaning." We suggest the epistemological "meaning" of information perceived may be found in the past experiences that are reproduced by the ERR, when stimulated by a new perception. The ERR model is an extension of neuroscientist Donald Hebb's famous famous insight that "neurons that fire together wire together." Our experience recorder and reproducer ERR model simply assumes that "neurons that have been wired together will fire together." The ERR model is also based on Eric Kandel'a memory model for long-term potentiation in the neocortical synapses. Short-term memory must have a much faster storage mechanism. While storage is slow, we shall see that ERR retrieval is just as fast, and it does not fade as does short-term, working memory. We propose that the ERR reproduces the entire complex of past sensations experienced, together with the emotional response to the original experience (pleasure, pain, fear, etc.). Playback of past experiences may be stimulated by anything in the current experience that resembles something in the past experiences, in the five dimensions of the senses (sound, sight, touch, smell and taste). The ERR model stands in contrast to the popular cognitive science or “computational” model of a mind as a digital computer with a "central processor" or even many "parallel processors." No algorithms or stored programs are needed for the ERR model. There is nothing comparable to the addresses and data buses used to store and retrieve information in a digital computer.
Santiago Ramón y Cajal’s extraordinary drawingsNo modern computer can surpass the amazing information storage capability and rapidity of search and retrieval of information as that of the human neocortex. As can be seen in Ramón y Cajal's drawings made at the end of the nineteenth century, the neocortex consists primarily of six horizontal layers segregated principally by cell type and neuronal connections. The neurons are arranged in vertical structures called cortical columns, with a diameter of about 1 mm. A given column may respond to a sensory stimulus coming from a certain body part or region of sound or vision. These columns are similar, and can be thought of as the basic repeating functional units of the neocortex. In humans, a column contains approximately 70,000 neurons and the neocortex consists of about 500,000 columns. The visible structure of the neocortex is regular, but the connections between its over 10 billion axons apparently form at random, each neuron with over 10,000 dendritic connections to other neurons. The biological basis for our proposed ERR is very straightforward.
of the arborization of neurons needed for the ERR
The Binding ProblemNeuroscientists are investigating how diverse signals from multiple pathways can possibly be unified in the brain. The ERR model offers an extremely simple insight into this so-called “binding” problem. There is an intrinsic binding of the multiple sensory and limbic systems present in the original wiring or "recording" of a complex experience. So although one or more experiences may be stimulated to play back because of a new experience with even just a single sense, the "binding" of all the original senses and emotion in each experience is simply the result of the Hebbian "wiring" of neurons during the original experience We assume that whenever a particular experience plays back, it refreshes and strengthens the synaptic connections. It might also be the case that the current conditions can modify the connections somewhat, both slightly modifying the memories of the experience and the emotions associated with the experience. ERR might then become an explanatory basis for conditioning experiments, classical Pavlovian and operant conditioning, and in general a model for associative learning. The capability of reproducing experiences is critical to learning from past experiences, so as to make them guides for action in future experiences. The ERR model is the minimal mind model that provides for such learning by living organisms. It is critical that the original emotions also play back, along with any differences from past emotions that are newly experienced during playback.
Speed and Power of the ERRYou might not normally notice the speed with which you can recall the name of a sixth-grade teacher or childhood friend that has not occurred to you for decades. Or that a few notes might bring back music and lyrics of a song not sung for many years. An odd smell might evoke memories of a foreign country. A taste might bring on feelings of nausea first experienced long ago. All the senses, not just visual stimulation, can replay complex, multi-sensory original events. How does it work so fast? Sometimes when you consciously try to recall a particular name, it does not come immediately to mind, but you can feel it on "the tip of your tongue." Then hours, even days later the forgotten name just "pops into your head." It suggests unnoticeable "unconscious" information processing by the Experience Recorder and Reproducer. To make a crude estimate of the speed and power of the brain as a biological information processor, we can calculate the information creation going on in the body overall. Estimating how much power the body consumes (metabolizing of food as negative entropy), we can then use the fact that the brain uses about 20 percent of that energy. We can take just one bodily process that is also vital to thought, the continuous replacement of red blood cells, which consumes a significant fraction of available energy. When 200 million of the 25 trillion red blood cells in the human body die each second, 100 million new hemoglobins must be assembled in each of 200 million new blood cells . With the order of a few thousand bytes of information in each hemoglobin, this is 10 thousand x 100 million x 200 million = 2 x 1020 bits of information per second, a million times more information processing than today's fastest computer CPU. What is the brain doing with such immense power consumption and potential information generation. It could be the "blooming, buzzing, confusion" that William James imagined going on just below his "stream of consciousness." How can the mind "focus attention," as James put it? Think of how the eye can instantly be drawn to a tiny dark speck moving in our peripheral vision. The ERR's operation is nothing like the way a computer searches and retrieves information. ERR does not decide what to search for and then look systematically through all the information structures to find it. We can compare Google's "distributed search" algorithms, which send a search phrase to hundreds of thousands of computers in centers around the world. After vast amounts of "parallel distributed processing," each computer returns its relevant pages within a fraction of a second. These are then assembled into the Google "results" pages. The ERR works nothing like that. A more appropriate example would be today's natural language translation systems. For decades, computer engineers were convinced thed could write algorithmic translation programs. They only needed to understand ("reverse engineer") Noam Chomsky's "deep grammar" that generates all possible language. The U.S. Department of Defense invested $20 million over twenty years before declaring machine translation (MT) a failure. Today machine translation uses a database of known translation pairs in a giant database called translation memory (TM). The largest such TM systems use incredibly large databases gathered from translated articles on the Internet. They then work something like our ERR. Google Translate takes a sentence and searches for matches of all or part of the string of letters and retrieves matches, returning them ordered by the closeness of a match, to the translator. So where machine translation is algorithmic and a failure, and the current statistical translation approach based on astounding amounts of "big data" is a reasonable success, we are tempted to say that storage of a vast amount of personal "big data" in the mind/brain gets closer to a plausible model for a mind. We do not know, but Google's search technology may store data at an address that is the data itself (so-called "content-addressable" data storage, in which the address bus is the data bus), making the search algorithm very simple. By comparison in the ERR, the current experience travels into the brain on neurons which process it in the normal way for storage, based on its analysis (breakdown) of the multi-sensory content of the image. This seems similar to "content-addressing." The sensations travel into the neocortex, processed by the various visual areas, auditory areas, etc., all connected through the association areas, based solely on the information content. Our hypothesis is that similar data will then be stored in similar areas. Neurons that start firing will stimulate those previously wired together and others nearby to fire, reproducing a vast number of past real (and perhaps imaginary) experiences that were (at least partially) recorded to the newly firing neurons. Presented with an experience, the action potentials moving through the forest of axons and dendritic connections start nearby neurons firing which are experienced (we assume mostly unconsciously) just as if a past experience is happening again. Since the number of reproduced experiences could be huge, it may sound absurd to suggest that the mind can pick out anything useful from such a cacophony. James did imagine complete confusion. But it is precisely all the past similar experiences retrieved that provide the context for the current experience to be "meaningful." If there were nothing played back, like the infant brain, there would be no "meaning" in the experience. In the adult mind, a lifetime of experience is available, usually instantly played back unconsciously, without us ever having to consciously ask for it. We can say that "what it's like to be" a certain animal depends entirely on what its ERR chooses to record and reproduce. A frog, for example, famously allows only the signals from certain shapes to go beyond the frog's eye to its brain. In our ERR model, the frog has no experience recorded of concave-shaped objects moving in its visual field. Such information then is literally "meaningless."
The ERR and ConsciousnessHumans are conscious of our experiences because they are recorded in (and reproduced on demand from) the information structures in our brains. Mental information houses the content of an individual character - the fabric of values, desires, and reasons used to evaluate alternatives for action and thus to make choices. The information in a human brain vastly exceeds our genetic information. Because humans store and retrieve information outside their minds, it has allowed human beings to dominate the planet. Animals may exceed us in strength and speed, but we have experience, memory, wisdom, and skill (Anaxagoras DK B 21b) that has accumulated over thousands of generations. The relatively small amount transmitted genetically is tiny compared to that stored in the Experience Recorder and Reproducer of a single human mind. But even that enormous amount is being rivalled by the total knowledge stored externally, the Sum, now becoming available to all humans because it is being stored on the world-wide web and Internet. Consciousness can be defined in information terms as a property of an entity (usually a living thing but we can also include artificially conscious machines or computers) that reacts appropriately to the information (and particularly to changes in the information) in its environment. In the context of information philosophy, the Experience Recorder and Reproducer can provide us with what we can define as information consciousness. An animal in a deep sleep is not conscious because it ignores changes in its environment. By contrast, an inanimate robot may be conscious in our sense. Even the lowliest control system using negative feedback (a thermostat, for example) is in a minimal sense conscious of (aware of, exchanging information about) changes in its environment. This definition of consciousness fits with our model of the mind as an experience recorder and reproducer (ERR). Can we say that an organism is "unconscious" If no past experiences are playing back during its current experiences? Can we say that a frog is "not conscious" of the concave objects flying by? A conscious being is constantly recording information about its perceptions of the external world, and most importantly for ERR, it is simultaneously recording its feelings. Sensory data such as sights, sounds, smells, tastes, and tactile sensations are recorded in a sequence along with pleasure and pain states, fear and comfort levels, etc. We sometimes speak of a "heightened" consciousness that excels at this recording. All these experiential and emotional data are recorded in association with one another. This means that when the experiences are reproduced (played back in a temporal sequence), the accompanying emotions are once again felt, in synchronization. Although past experiences played back internally are not the same as the current external, they can make us currently "conscious" of past pleasure and pain states, fear and comfort levels, and so forth. Bernard Baars's Global Workspace Theory uses the metaphor of a "Theater of Consciousness," in which there is an audience of purposeful agents calling for the attention of the executive on stage. In the ERR parallel, vast numbers of past experiences are clamoring for the attention of the conscious mind at all times, whenever anything in current experience has some resemblance to past experiences. If we define "current experience" as all afferent perceptions plus the current contents of consciousness itself, we get a dynamic self-referential system with plenty of opportunities for negative and positive feedback. The "Blackboard model" of Allan Newell and Herbert Simon imagines pictures or words (concepts, say) being written on a mental blackboard by our current perceptions. Deep memory structures are watching what is written on the blackboard. They call up similar concepts by association and write them to the blackboard, which is visible to our conscious mind selecting the next things to think about. The ERR model clearly supports this view and explains the neural mechanism by which concepts (past experiences) are retrieved and come to the blackboard. In Daniel Dennett's consciousness model, the mind is made up of innumerable functional homunculi, each with its own goals and purposes. Some of these homunculi are information structures in the genes, which transmit "learning" or "knowledge" from generation to generation by heredity alone. Others are environmentally and socially conditioned, or consciously learned through cultural transmission of information.
Four "Levels" of the ERRWe identify four evolutionary stages in the development of the Experience Recorder and Reproducer.
Instinct. These animals with little or no learning capability. The ERR in such animals does no recording. Reactions to environmental conditions have been transmitted genetically. Information about past experiences (by prior generations of the organism) is is "built in" as inherited reactions. Learning. Here past experiences of animals guide their current choices. Conscious, but mostly habitual, reactions are developed through recorded experiences, including instruction by parents and peers. Prediction. - The Sequencer in the ERR system can play back beyond the current situation, allowing the organism to use imagination and foresight to evaluate the future consequences of its choices. Reflection. Here conscious deliberation about values influences the choice of behaviors. The ERR plays back a range of similar experiences including the reactions and feelings expressed by others to those experiences.All four levels are emergent, in the sense that they did not exist in the lower, earlier levels of biological evolution. Even the most primitive of biological systems are cognitive, in the sense that they use their internal information structure to guide their actions. Some of the simplest organisms can learn from experience. The most primitive minds are the earliest experience recorders. They reproduce past experiences as alternative possibilities for current actions. In humans, the information-processing structures create new actionable information (knowledge) by consciously and unconsciously reworking the experiences stored in the mind. Emergent higher mental levels exert downward causation on the contents of the lower bodily levels, ultimately supporting mental causation and free will. There are characteristic differences between the mental and the physical that modern science, even neuroscience, may never fully explain. The most important is the internal and private first-person point of view, the essential subjectivity, the “I” and the “eye” of the mind, its capability of introspection and reflection, its intentionality, its purposiveness, its consciousness. The mind records an individual’s experiences as internal information structures and then can play back these recordings to compare them to new perceptions, new external events. The recordings include an individual’s emotional reactions to past experiences, our feelings. The reproduction of recorded personal experiences, stimulated by similarities in current experience, provide the core of “what it’s like to be” an individual. The external and public physical world, by contrast, is studied from the third-person point of view. Although putatively “objective,” science in fact is the composite “intersubjective” view of the “community of inquirers,” as Charles Sanders Peirce put it. Although this shared subjectivity can never directly experience what goes on in the mind of an individual member of the community, science is in some sense the collective mind of the physical world. It is a pale record of the world’s experiences, because it lacks the emotional aspect of personal experience. The physical world itself has no sense of its history. It does not introspect or reflect. It lacks an ERR and so lacks consciousness, that problem in philosophy of mind second only to the basic mind-body problem itself.
Theory of MindA theory of mind is needed because the minds of others are not directly observable. The minds of others are assumed to exist by analogy with one's own mind. Much of the discussion in the philosophy of mind is about the existence of "mental states" and their causal powers or lack thereof. The ERR avoids the vague idea of a "mental state," whatever that may be. The ERR stores specific information in the brain's neural networks about all the perceptual elements (sight, sound, touch, taste, smell) of an experience, along with emotions felt during the experience. They are stored in whatever neurons fire together. Later, any new perceptual element that fires the same (or nearby) neurons can activate the neural network to replay the original experience, complete with its emotional content. The unconscious mind is a "blooming, buzzing confusion" playing back many similar experiences, to some of which we focus our attention, as William James pointed out. This rich spectrum of past experiences provides the alternative possibilities for action that James said was the first stage in his two-stage model of free will Instead of a general idea of a "mental state," ERR describes a mind full of many possible specific mental states simultaneously, any one of which may be the free thought that leads to the next action "self-determined" by the brain and body. ERR finds support in the idea of empathy and the recent discoveries of "mirror neurons" in higher primates. Observing another person having an experience brings out the observer's similar experiences, along with emotional reactions to those earlier experiences.
SummaryThe biological model for the Experience Recorder and Reproducer is neurons that wire together during an animal's experiences, in multiple sensory and limbic systems, such that later firing of even a part of the wired neurons can stimulate firing of all or part of the original complex. Where Donald Hebb famously argued that "neurons that fire together wire together," our experience recorder and reproducer ERR model assumes that "neurons that have been wired together will fire together." Neuroscientists are investigating how diverse signals from multiple pathways can be unified in the brain. ERR offers a simple solution to this "binding" problem. The sensory components are bound together when initially stored in the ERR (together with the accompanying emotion). They remain bound on playback. They do not have to be assembled together by an algorithmic scheme. Beyond the obvious relevance (survival value) for an organism of remembering past experiences, we suggest the "meaning" of newly perceived information is found in those experiences reproduced by the ERR, when presented with that new information. Without prior similar experience, new perceptions will be "meaningless." A conscious being is constantly recording information about its perceptions of the external world, and most importantly for ERR, it is simultaneously recording its feelings. Sensory data such as sights, sounds, smells, tastes, and tactile sensations are recorded in a sequence along with pleasure and pain states, fear and comfort levels, etc. All these experiential and emotional data are recorded in association with one another. This means that when the experiences are reproduced (played back in a temporal sequence), the accompanying emotions are once again felt, in synchronization. The capability of reproducing experiences is critical to learning from past experiences, so as to make them guides for action in future experiences. The ERR model is the minimal mind model that provides for such learning by living organisms.
Marcel Proust and the Petite MadeleineIn which the taste of a tea-soaked cookie (long-ago recorded in his ERR) reproduces the associated visual memories of a past event...
And so it was that, for a long time afterwards, when I lay awake at night and revived old memories of Combray, I saw no more of it than this sort of luminous panel, sharply defined against a vague and shadowy background, like the panels which a Bengal fire or some electric sign will illuminate and dissect from the front of a building the other parts of which remain plunged in darkness: broad enough at its base, the little parlour, the dining-room, the alluring shadows of the path along which would come M. Swann, the unconscious author of my sufferings, the hall through which I would journey to the first step of that staircase, so hard to climb, which constituted, all by itself, the tapering 'elevation' of an irregular pyramid; and, at the summit, my bedroom, with the little passage through whose glazed door Mamma would enter; in a word, seen always at the same evening hour, isolated from all its possible surroundings, detached and solitary against its shadowy background, the bare minimum of scenery necessary (like the setting one sees printed at the head of an old play, for its performance in the provinces) to the drama of my undressing, as though all Combray had consisted of but two floors joined by a slender staircase, and as though there had been no time there but seven o'clock at night. I must own that I could have assured any questioner that Combray did include other scenes and did exist at other hours than these. But since the facts which I should then have recalled would have been prompted only by an exercise of the will, by my intellectual memory, and since the pictures which that kind of memory shews us of the past preserve nothing of the past itself, I should never have had any wish to ponder over this residue of Combray. To me it was in reality all dead. Permanently dead? Very possibly. There is a large element of hazard in these matters, and a second hazard, that of our own death, often prevents us from awaiting for any length of time the favours of the first. I feel that there is much to be said for the Celtic belief that the souls of those whom we have lost are held captive in some inferior being, in an animal, in a plant, in some inanimate object, and so effectively lost to us until the day (which to many never comes) when we happen to pass by the tree or to obtain possession of the object which forms their prison. Then they start and tremble, they call us by our name, and as soon as we have recognised their voice the spell is broken. We have delivered them: they have overcome death and return to share our life. And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) which we do not suspect. And as for that object, it depends on chance whether we come upon it or not before we ourselves must die.Many years had elapsed during which nothing of Combray, save what was comprised in the theatre and the drama of my going to bed there, had any existence for me, when one day in winter, as I came home, my mother, seeing that I was cold, offered me some tea, a thing I did not ordinarily take. I declined at first, and then, for no particular reason, changed my mind. She sent out for one of those short, plump little cakes called 'petites madeleines,' which look as though they had been moulded in the fluted scallop of a pilgrim's shell. And soon, mechanically, weary after a dull day with the prospect of a depressing morrow, I raised to my lips a spoonful of the tea in which I had soaked a morsel of the cake. No sooner had the warm liquid, and the crumbs with it, touched my palate than a shudder ran through my whole body, and I stopped, intent upon the extraordinary changes that were taking place. An exquisite pleasure had invaded my senses, but individual, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory—this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me, it was myself. I had ceased now to feel mediocre, accidental, mortal. Whence could it have come to me, this all-powerful joy? I was conscious that it was connected with the taste of tea and cake, but that it infinitely transcended those savours, could not, indeed, be of the same nature as theirs. Whence did it come? What did it signify? How could I seize upon and define it? I drink a second mouthful, in which I find nothing more than in the first, a third, which gives me rather less than the second. It is time to stop; the potion is losing its magic. It is plain that the object of my quest, the truth, lies not in the cup but in myself. The tea has called up in me, but does not itself understand, and can only repeat indefinitely with a gradual loss of strength, the same testimony; which I, too, cannot interpret, though I hope at least to be able to call upon the tea for it again and to find it there presently, intact and at my disposal, for my final enlightenment. I put down my cup and examine my own mind. It is for it to discover the truth. But how? What an abyss of uncertainty whenever the mind feels that some part of it has strayed beyond its own borders; when it, the seeker, is at once the dark region through which it must go seeking, where all its equipment will avail it nothing. Seek? More than that: create. It is face to face with something which does not so far exist, to which it alone can give reality and substance, which it alone can bring into the light of day. And I begin again to ask myself what it could have been, this unremembered state which brought with it no logical proof of its existence, but only the sense that it was a happy, that it was a real state in whose presence other states of consciousness melted and vanished. I decide to attempt to make it reappear. I retrace my thoughts to the moment at which I drank the first spoonful of tea. I find again the same state, illumined by no fresh light. I compel my mind to make one further effort, to follow and recapture once again the fleeting sensation. And that nothing may interrupt it in its course I shut out every obstacle, every extraneous idea, I stop my ears and inhibit all attention to the sounds which come from the next room. And then, feeling that my mind is growing fatigued without having any success to report, I compel it for a change to enjoy that distraction which I have just denied it, to think of other things, to rest and refresh itself before the supreme attempt. And then for the second time I clear an empty space in front of it. I place in position before my mind's eye the still recent taste of that first mouthful, and I feel something start within me, something that leaves its resting-place and attempts to rise, something that has been embedded like an anchor at a great depth; I do not know yet what it is, but I can feel it mounting slowly; I can measure the resistance, I can hear the echo of great spaces traversed. Undoubtedly what is thus palpitating in the depths of my being must be the image, the visual memory which, being linked to that taste, has tried to follow it into my conscious mind. But its struggles are too far off, too much confused; scarcely can I perceive the colourless reflection in which are blended the uncapturable whirling medley of radiant hues, and I cannot distinguish its form, cannot invite it, as the one possible interpreter, to translate to me the evidence of its contemporary, its inseparable paramour, the taste of cake soaked in tea; cannot ask it to inform me what special circumstance is in question, of what period in my past life. Will it ultimately reach the clear surface of my consciousness, this memory, this old, dead moment which the magnetism of an identical moment has travelled so far to importune, to disturb, to raise up out of the very depths of my being? I cannot tell. Now that I feel nothing, it has stopped, has perhaps gone down again into its darkness, from which who can say whether it will ever rise? Ten times over I must essay the task, must lean down over the abyss. And each time the natural laziness which deters us from every difficult enterprise, every work of importance, has urged me to leave the thing alone, to drink my tea and to think merely of the worries of to-day and of my hopes for to-morrow, which let themselves be pondered over without effort or distress of mind. And suddenly the memory returns. The taste was that of the little crumb of madeleine which on Sunday mornings at Combray (because on those mornings I did not go out before church-time), when I went to say good day to her in her bedroom, my aunt Léonie used to give me, dipping it first in her own cup of real or of lime-flower tea. The sight of the little madeleine had recalled nothing to my mind before I tasted it; perhaps because I had so often seen such things in the interval, without tasting them, on the trays in pastry-cooks' windows, that their image had dissociated itself from those Combray days to take its place among others more recent; perhaps because of those memories, so long abandoned and put out of mind, nothing now survived, everything was scattered; the forms of things, including that of the little scallop-shell of pastry, so richly sensual under its severe, religious folds, were either obliterated or had been so long dormant as to have lost the power of expansion which would have allowed them to resume their place in my consciousness. But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the vast structure of recollection. And once I had recognized the taste of the crumb of madeleine soaked in her decoction of lime-flowers which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy) immediately the old grey house upon the street, where her room was, rose up like the scenery of a theatre to attach itself to the little pavilion, opening on to the garden, which had been built out behind it for my parents (the isolated panel which until that moment had been all that I could see); and with the house the town, from morning to night and in all weathers, the Square where I was sent before luncheon, the streets along which I used to run errands, the country roads we took when it was fine. And just as the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little crumbs of paper which until then are without character or form, but, the moment they become wet, stretch themselves and bend, take on colour and distinctive shape, become flowers or houses or people, permanent and recognisable, so in that moment all the flowers in our garden and in M. Swann's park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and of its surroundings, taking their proper shapes and growing solid, sprang into being, town and gardens alike, from my cup of tea. Normal | Teacher | Scholar